Willen Hospice · Charity event films · Milton Keynes, 2026

Every mile means something.

Two fundraising events for Willen Hospice: a ten-mile walk through the night, and a cycle sportive on the lanes around Milton Keynes. Two films about why people turn up, not just what they did.

  • Event film
  • Story arc
  • Interviews
  • Social cut-downs
Midnight Moo: Leah and Jen walk for their dad
“He walked the whole 10 miles with the sisters, finishing around 2am. A beautiful video that will be paramount in driving registrations and donations next year.”
Willen Hospice · Midnight Moo
The brief

Not a highlights reel. A reason.

Most event coverage gets shot like a highlights reel: a bit of this, a bit of that, cut to music. It's fine, and it's forgettable. Willen Hospice needed films that would make next year's walkers and riders sign up, and that only happens when people feel something.

So I shot both events to a story arc: the build, the peak and the payoff, with four beats inside them that people actually feel. Anticipation, action, emotion and aftermath.

June 2026 · Night walkMidnight MooTen miles through Milton Keynes after dark. Filmed on foot alongside Leah and Jen, start to finish line.
September 2026 · Bike rideCycle SportiveRiders, volunteers and the pit stop across a full day on the lanes. Several voices, one story.
Film one · Midnight Moo

Leah and Jen.

Two sisters walking for their dad, who was receiving end-of-life care from the hospice team. One family's story, so thousands of walkers could see themselves in it.

The story arc, beat by beat

  1. 0:00
    Anticipation

    Willen Lake at golden hour, the hospice garden, face paint going on, a message to Dad hung on the memory tree. Quiet, before the noise.

  2. 0:15
    Action

    The start arch, the cow costumes, the drummers and hi-vis volunteers. Ten miles of Milton Keynes in the dark.

    The start is so great, when everyone is excited and cheery.
  3. 0:35
    Emotion

    The reason they are there. Lanterns in the dark and the line the whole film is built around.

    Every mile will mean something to all of us.
  4. 0:50
    Aftermath

    The medal, the photo of their dad, the team at the finish. One last line, straight to him.

    You're always our number one fan, and you're the best dad ever.

Behind the edit

  • Interview first, at the hospice, in daylight. Everything after it was shot to that conversation.
  • Filmed on foot for all ten miles, finishing around 2am. No cutaways from a parked car.
  • A warm grade and slow motion only where the feeling needed room, never as decoration.
  • Delivered as a 9:16 reel with captions, plus a clean version without, for every platform the hospice uses.
A handwritten message to Dad on a leaf hung on the memory tree
Walkers in cow costumes dancing out through the start arch
Volunteers laughing beside a sign reading You are now entering mile 10
Walkers and hi-vis volunteers cheering together at night
A hand holding up an I walked the night Midnight Moo finisher medal
Leah, Jen and their team at the finish with Please donate signs
Film two · Cycle Sportive

One day, many reasons.

Event coverage with no single hero. Riders, a sponsor, a company team and the organiser, each carrying part of the story.

The story arc, beat by beat

  1. 0:00
    Hook

    A rider in a Midnight Moo shirt, fixing his bike. One sentence about his mum, before anyone has seen a road.

    I lost my mum three years ago. Riding for her today.
  2. 0:12
    The ride

    Riders out through the start arch and onto the lanes. Held shots, cut on movement, no app transitions.

    What an honour it is to use bikes to ride in the sun to honour a good cause.
  3. 0:30
    Why it matters

    A team riding for a colleague the hospice cared for at the end of his life.

    One of our employees last year tragically passed away, but was supported throughout his last moments with Willen Hospice.
  4. 0:44
    Payoff

    The organiser closes it. Not a voiceover, a person who ran the day saying thank you.

    That's the cyclists, the sponsors, the volunteers, the people at the pit stop. Real team effort.

Behind the edit

  • Restraint over effects: longer holds, cuts on action, and no swipe or spin transitions.
  • Every interview line arrives a beat before its picture (a J-cut), so voices lead the film.
  • Real sound kept in: wind, freewheels, the pit stop. It reads as real because it is.
  • One consistent grain and grade across a full day of changing light.
A rider in a floral jersey grinning on the lanes
A rider in sunglasses and helmet waiting at the start
A group of riders climbing a country lane
How I work on charity events

Story first. Care always.

01

Find the reason

Before the day, we pick the people whose story can carry the film, and talk to them properly.

02

Handle with care

Grief, families and patients come first. Nothing is filmed or used that anyone isn't comfortable with.

03

Be there for all of it

Walk the route, ride the day, stay to the end. The best moments rarely happen at the start line.

04

Cut for next year

Reels with and without captions, ready for sign-up campaigns, supporter emails and paid social.

Got an event with a reason behind it?

Tell me the date and what you'd want people to feel. We'll start with the story.

Book a 15-minute call
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