Three businesses. Three briefs. Done properly.

The Independent Series — Fairford Studios

The Independent Series

Three self-initiated concept briefs. Each one written, researched, and executed by Fairford Studios as if the client were real, because the thinking should be. This is what the process looks like when there are no shortcuts.

01 — The Café

The Drove

Brand Identity · Packaging · Collateral

A concept brief for an independent Cotswolds café, positioned around the ancient drove roads that cross the area. Trackways worn into the landscape over centuries by farmers moving cattle to market. The challenge: build a brand that feels like it has always been here.
The Drove coffee cup on Cotswold stone windowsill

Final sleeve on location, Cotswold stone windowsill

The Drove crow on post woodcut illustration The Drove cup on dry stone wall

The crow mark, a drover on his post watching the long road. In context on a Cotswold dry stone wall.

The thinking

Drove roads are the oldest routes in the Cotswolds, narrow trackways worn into the landscape over centuries by farmers moving cattle to market. Every town has one. Most people walk them without knowing the name. That specificity was the concept.
Stranger & Stranger's design philosophy is built around brands that have earned their character, identities that feel discovered rather than designed. The crow on the gatepost became that character: patient, rooted, watching the road.

The execution

The woodcut illustration style gives the mark an engraved quality, as if it belongs on a Victorian trade token or a hand-press broadsheet. Deep sage green against kraft paper reads premium without pretension. The hierarchy runs three tiers: THE DROVE at full weight, Coffee for the long road at a whisper, EST. 2023 and SMALL BATCH as a reward for a closer look.
Every touchpoint, sleeve, business card, loyalty card, bag seal, carries the same crow mark at different scales, proving the brand system rather than just the logo.
The Drove brand identity flat lay

The full brand system, sleeve, business card, loyalty card, bag seal

Brand Strategy

Positioning, naming rationale, tone of voice

Visual Identity

Woodcut mark, colour palette, typography system

Collateral

Cup sleeve, business card, loyalty card, bag seal

Sector

Independent Hospitality, Cotswolds


02 — The Craft Producer

Hailes Gin

Brand Identity · Label Design · Packaging

A concept brief built around Hailes Abbey, a 13th-century Cistercian ruin in the north Cotswolds, and the botanicals that grow in its grounds. The challenge: a gin label that carries the weight of its place without pretending to be something it is not.
Hailes Abbey ruins at golden hour

Hailes Abbey, Winchcombe, the source

Colin Bibby sketching at Hailes Abbey Cotswold botanicals on stone wall

Discovery on location, Hailes Abbey. Reference botanicals: juniper, elderflower, wild marjoram.

Hailes Abbey rendered in engraving style

Hailes Abbey rendered in engraving style, the visual language that shaped the label aesthetic

Where it started

Hailes Abbey was founded in 1246. For three hundred years it was one of the great pilgrimage sites in England, drawing travellers from across the country to see a relic of the Holy Blood. The place has gravity. The concept was to build a gin label that earns that gravity, not by pretending to be ancient, but by being honest about what it means to make something here, now, with plants that grew in that ground.
The research started at the abbey: sketching the arches, studying the proportions of the nave, finding the visual language before touching a computer.

The process

The typography study ran through multiple iterations before the right weight was found. HAILES is a short name, five letters all capitals, and it behaves differently at large scale than at label scale. The wrong weight reads as decoration. The right weight reads as architecture.
The botanical illustration was built as a dense, interlocking garland, juniper at the centre, elderflower flanking, wild herbs at the edges. The density is intentional: it should reward time, the way the monks' illuminated manuscripts did. One pass tells you it is premium. A second pass tells you it is specific.
Research desk with botanical reference Hand sketching Hailes brand identity

Discovery and development, botanical reference, on-location sketching, identity studies

Hailes typography study

Typographic iterations before the final weight was resolved, Caslon Open Face, Garamond, bespoke adjustments

Hailes Gin brand moodboard

Brand moodboard, colour palette, botanical reference, label architecture studies

Hailes Gin label in Adobe Illustrator

In production, Adobe Illustrator, final label build

"The density is intentional. It should reward time, the way the monks' illuminated manuscripts did."
Hailes Gin label version 1 Hailes Gin label version 2

Two label directions: a clean contemporary ground and an aged parchment variant, same mark, different register

Brand Strategy

Narrative positioning, place-led identity

Visual Identity

Botanical illustration, typographic system, two label variants

Process

On-location research, multiple type iterations, hand illustration reference

Sector

Premium Spirits, Cotswolds


03 — The Independent Brand

Gridline Brewing

Brand Identity · Can Design · Range Architecture

A concept brief for a craft brewery built around the grid, the planned geometry of roads, routes, and urban connections. Each can in the range carries its own landscape, unified by a shared visual system. The challenge: design for a range, not just a single product.
Gridline Brewing four can range

The full Gridline range, H3 Horizon IPA, Redway Pale Ale, Nightshift Milk Stout, V6 Velocity Session Lager

Gridline Brewing brand mark Gridline Nightshift Milk Stout can detail

The Gridline mark and illustration detail, each can carries its own landscape within the same visual system

The thinking

Design for a range, not a label

The most common mistake in craft beer branding is designing a single label and then trying to extend it. The result is a range that looks assembled, not designed. Gridline started from the opposite position: what is the system that makes four completely different cans feel like they belong together?
The answer was the grid itself, the underlying structure that maps roads, urban plans, and connections. Each can carries a different landscape illustration, but the grid overlay, the typography system, and the colour logic are fixed. The range has coherence because the architecture is shared, not because the illustrations match.

The execution

Four landscapes, one system

H3 Horizon IPA. A road disappearing into a sunrise horizon. Warm amber and gold. The optimistic one.
Redway Pale Ale. A winding path through bare winter trees. Fresh green. Clean and light.
Nightshift Milk Stout. A civic building under a crescent moon. Near-black. Rich and specific.
V6 Velocity Session Lager. A dual carriageway heading to the horizon. Velocity blue. Crisp and direct.

Brand Strategy

Range architecture, naming system, visual logic

Visual Identity

Brand mark, grid system, four landscape illustrations

Deliverables

Full can artwork for four SKUs, brand guidelines

Sector

Craft Brewing, Independent


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